My name is Michée (mi-shay) Zodulua, and Limbo is a photo and audio installation that explores psychological suspension, collective consciousness, and the feeling of displacement within one’s own environment. The work centers on a black-and-white image of seventeen individuals frozen mid-air against a black background, suspended between rising and falling, paired with directional audio that plays their recorded reflections—spoken after confronting themselves in a mirror with existential prompts—layered with music. The piece is designed to slow the viewer down and subtly draw them into an intimate experience, encouraging deeper engagement in contrast to today’s shortened attention spans shaped by constant digital consumption. Limbo reflects the modern condition of existing in an in-between state, where the reach of the internet and social media allows us to experience everything at once, blurring boundaries of time, place, and identity. Rooted in my experience as a Raleigh native who has grown estranged from an ever-changing home, the work speaks to broader cultural feelings of displacement amid rapid growth and transformation, using layered voices and suspended bodies to mirror a shared state of uncertainty, introspection, and transition.